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Though they’re officially antiques, Abbey Road still use their hardware RS124s. Apparently the compressors were employed on pretty much all the Beatles classics, often by dialling in a lot of gain reduction. These custom RS124 compressors saw extensive use at Abbey Road Studios during the 1960s, where Geoff Emerick reportedly used one for punchy bass sounds while Ken Scott liked their effect on guitars and Norman Smith favoured them for their glue‑like mix‑bus abilities.īut RS124s were also used on occasions for mastering in Abbey Road’s cutting rooms. This was famously the case with the Abbey Road RS124, which was based on a much modified Altec 436B valve compressor, and built back in the days when studio outboard smelled of toasted Bakelite and gently cooking transformer windings. The finest musicians, beautiful acoustics, award-winning sound engineers and cutting edge technology, mixed with rare vintage treasures.Abbey Road Studio’s tech team have a long‑standing reputation for making extensive modifications to off‑the‑shelf equipment. "We are thrilled to be partnering with the innovative and creative minds at Spitfire Audio. Sounds amazing right out of the box." – RECORDING Magazine “Amongst the best I've heard over the last 20 years." – Sound On Sound Easy to use, intuitive and inspiring, our plug-in has been designed by composers, for composers. With a beautiful, modern design, Wondrous Flutes and indeed all of the Abbey Road One Selections are housed in our award-winning plug-in, which loads directly into all major DAWs (VST2, VST3, AU, AAX & NKS-compatible) without the need for any additional software. Level up your existing symphonic orchestra toolkit or pair with Orchestral Foundations to get the classic cinematic pairing of flutes and piccolo. Truly, it is the iconic sound of cinema.Įxpanding on Abbey Road One: Orchestral Foundations, a 90-piece symphonic orchestra that was our first partnership with Abbey Road Studios, Wondrous Flutes is a fully-fledged, stand-alone library. With its rich tonality, deep low end, and famed reverb, Studio One’s sound is widescreen and epic. Such classics as Star Wars, Lord of the Rings, Harry Potter, and Avengers: Endgame - all were recorded in Studio One.
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Considered one of the finest acoustical spaces in the world, Studio One’s history has an indelible connection with the scores recorded there, providing emotion, mood, and magic for many of the most renowned and successful films ever made. Refined and developed utilising new, cutting edge techniques, these legatos are pre-orchestrated and mixed to the highest quality, simplifying the writing process so you can quickly get your ideas down.Įnter the room most composers can only dream of: Abbey Road’s Studio One. A hallmark of these libraries are the detailed legatos, offering stunning realism that will allow your melodies to soar. With the unmistakable acoustics of Abbey Road Studio One, exceptional players, award-winning sound engineers and priceless microphones, Wondrous Flutes empowers you to quickly and easily add intensity and mystery to your scores.
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The Extra-Terrestrial, as well as John Powell in How To Train Your Dragon. This classic pairing of two flutes with one piccolo, sounding an octave higher, is an exceptionally powerful tool for adding mystery and wonder to your scores, used to great effect by John Williams in his scores for Star Wars and E.T. This library, and indeed all of the Abbey Road One Selections, puts the same first-call musicians that play on globally-successful movies at your fingertips, all recorded by multi GRAMMY® Award-winning engineer Simon Rhodes ( Avatar, Hugo, Harry Potter) and featuring the legendary Abbey Road microphones and outboard gear. At Spitfire Audio, our approach is to always record sample libraries in the same way that film scores are recorded, and Wondrous Flutes is no exception.